1password teams promo code10/11/2023 ![]() “It can not only be unethical but also impossible when you don’t account for humanity,” she added.Įven in today’s context - ongoing strikes against Hollywood calling for industry leaders to steer from relying on AI to replace human creativity in screenwriting and acting - the film itself highlights the importance of supporting the work of living people. “I think this film does that in a way that is pointing out the ways in which all types of human labor are discounted in that process. “The conversation is moving forward so quickly and there are lots of people who are pushing back on that narrative,” Sandic said. “We didn’t realize it was gonna be so prevalent now,” Caballero said.īojana Sandic, programming director of NFMLA, says she chose to include Caballero and Aldana’s film in the InFocus festival because of its relevance and wit, introducing humor to address the dehumanizing nature of AI. The duo chose to pit humans against AI because the emerging technology had been a big part of the discourse at the beginning of the year. ![]() “It’s a very specific skill that machines cannot do,” Caballero said. Picking, something often considered “unskilled work,” suddenly held a new importance. He then mulled on the concept of essential workers, a term that became commonplace at the start of the pandemic to describe people who worked in positions crucial to helping society stay afloat, such as grocery workers, farmworkers and fast food workers. “It’s a bit of an homage to our working-class families and community that very often are rendered invisible in this country,” Caballero said of the film.Ĭaballero’s mother, father and older siblings worked in fields, picking fruits like grapes, oranges and strawberries - the same fruit that Tita picks throughout the short film. They took the story they were familiar with and added a futuristic twist: What if AI couldn’t keep up with what their families had endured? In their latest work for Rising Voices, Aldana suggested they dive into the history of their own families who immigrated to the U.S. (Caballero’s family lived in Oxnard and Aldana’s called Huntington Park home.) While at LTC, they contributed to the creation of 2007’s “Melancholia,” a play that told the story of a young Marine who returns home from the Iraq war and struggles to readjust to his old life. They bonded over being queer Latinos from immigrant families. The story of the film came with the help of Aldana, whom Caballero met while working in the Latino Theater Lab with the Latino Theater Company. From there he gathered a team of filmmakers to assist in what would become “The Ballad of Tita and the Machines.” This year’s iteration welcomes 24 new films, including “The Ballad of Tita and the Machines.”Ĭaballero was one of 10 filmmakers chosen to create a project for Indeed’s Rising Voices program, which financed short films on the theme of “the future of work.” He was selected for the program in December, then he went into two months of development at the beginning of the new year. The InFocus Latinx & Hispanic Film Festival, in partnership with AMPAS, coincides with the beginning of Hispanic Heritage Month. NFMLA is a monthly festival that aims to foster fresh voices by providing industry resources to the artists behind the chosen films. ( Disclaimer: I will be moderating a panel at this year’s NF M LA.) It premiered at the 2023 Tribeca Film Festival and will make its way to Los Angeles at the NewFilmmakers Los Angeles InFocus: Latinx & Hispanic Film Festival, co-hosted by the Academy of Motion Picture Arts and Sciences, on Sept. This story is immortalized in the film “The Ballad of Tita and the Machines,” directed by Miguel Angel Caballero and co-written with Luis Antonio Aldana. But she soon will prove that an AI can’t replace her humanity and strength. Tita has hired the humanoid to help her with her work, as she is getting older and isn’t as agile as she used to be. Tita analyzes the futuristic invention before letting it in. An artificial intelligence humanoid (Nico Greetham) is at the door, its eyes gleaming with an adjusting camera. ![]() One afternoon, Tita (Laura Patalano), an elderly fieldworker who works picking strawberries, opens her front door.
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